How do you handle revisions and feedback rounds?
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Most engagements include three rounds of revisions per major deliverable. I send a Loom walkthrough of every milestone so you can review at your own pace, then we align via a 30-minute call. If we need a fourth round, we discuss whether scope changed — and adjust honestly. No surprise change orders.
Will I work directly with you or with a junior team member?
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You work with me directly on strategy and major reviews. I have a small senior team that handles execution — design production, development, content writing, ad operations — but I personally review every deliverable before it leaves the studio. No account managers, no offshore handoffs you cannot reach.
What tools and platforms do you use?
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For design: Figma, Adobe Creative Suite, Spline for 3D. For development: Next.js, WordPress with Elementor or custom themes, Webflow, Shopify. For SEO: Ahrefs, Search Console, Screaming Frog, Surfer. For ads: Google Ads, Meta Business Suite, looker dashboards. For project management: Notion + Slack. I do not gate-keep tools — happy to share access to anything we use on your project.
Do you sign NDAs and protect confidential information?
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Yes. Mutual NDAs available before any discovery call. All client work stays under tight access controls — only the team members directly working on your project can view files. After project close, I retain working files for two years for support purposes, then archive securely. Nothing goes into public portfolio without written approval.
How do you measure success after launch?
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We agree on 3-5 KPIs before kickoff — usually a mix of leading indicators (traffic, engagement, click-through, time on site) and lagging ones (form submissions, calls, revenue, qualified pipeline). Monthly reports show movement on all of them, with a plain-English summary of what we shipped, what worked, and what is next. No vanity metrics. No 60-page PDFs you will never read.
Do you offer ongoing support and retainers?
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Yes. After project delivery, you can move to a monthly retainer (typically 8-20 hours per month) for continuous improvement — A/B testing, content additions, performance optimization, new feature builds. Or pay hourly for ad-hoc work. Most clients stay on retainer for at least six months because compounding work outperforms one-off projects.
What is your typical client engagement length?
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Project work runs 4-14 weeks depending on scope. Retainer clients average 18 months — most started with one project, saw results, and expanded the relationship. My longest active client is now in year four. I am playing for retention, not transactions.
What happens if we are not happy with the work?
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First — we will not let that be the outcome. I check in weekly via Loom and Slack so issues surface early, not at the end. If something is not landing, we pause, diagnose, and adjust the approach. Every engagement carries a 14-day satisfaction window post-launch where any reasonable refinement is included at no extra cost.
What software do you use?
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After Effects, Cavalry, Cinema 4D, Lottie for web. Pick the right tool for the result.
Yes — in-house copywriters who understand motion-pacing, hook structures, and your brand voice.
Yes. We have a network of professional voice artists across English, Hindi, Spanish. Auditions before booking.
What about live action?
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We partner with live-action production teams when scope demands it. Pure motion graphics is our home.
3-5 working days for a single 15-30s Reel including 2 rounds of revision.
What types of motion graphics projects do you take on?
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Animated logos, social media video ads, Instagram and TikTok Reels with motion overlay, short explainer animations, lower-thirds and title cards for video content, and email GIFs. I don't do full live-action production — I work with footage you've already shot or build pure animation from scratch. If you need someone on-site with a camera, that's outside my scope, but I can partner with videographers I trust for projects that need both.
How long does an animated logo take?
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Typically 5–7 business days. I'll need your logo source file (AI, EPS, or clean SVG — not a JPEG) to work from. I present two animation concepts and refine the chosen one across one revision round. Final delivery is MP4 with transparent background for professional use and a GIF version for email or situations where MP4 isn't supported. If you don't have a suitable source file, I'll flag that before we start.
What do you need from me to start a Reels project?
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Raw footage, any specific messaging or script you want on screen, your brand colours and fonts, and the deadline. Raw footage should be shot vertically at 1080x1920 for Reels and TikTok. The higher the quality of what you send me, the better the final product. If your footage is shaky or unusable, I'll flag it immediately rather than work around it and deliver something that looks off-brand.
What file formats do you deliver?
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Final videos are delivered as H.264 MP4, accepted by Instagram, Facebook, TikTok, YouTube, LinkedIn, and every major ad platform. For animated logos with transparent backgrounds, I deliver ProRes 4444 MOV for professional video editing software and a standard MP4. GIFs are included where relevant. I'll also give you the specific specs for each platform — aspect ratio, file size limits, recommended duration — so the platform doesn't recompress and degrade your video.
Can motion graphics actually improve my social media performance?
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Motion stops the scroll in a way static images often don't, and the first two seconds of a video determine whether someone keeps watching. That said, motion isn't a magic fix — the offer, the hook, and the targeting still do most of the heavy lifting. Animated ads and Reels consistently outperform their static equivalents on click-through rate for the clients I work with. If you're already running paid social, testing video creative against static ads is the fastest way to get a real answer for your specific audience.
How many revision rounds are included?
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One full revision round is included per project — consolidated feedback on the draft covering timing changes, text edits, colour adjustments, and pacing tweaks. What's not a revision: a complete change of direction, new footage you want added that wasn't in the brief, or a different animation style than what was agreed. Motion graphics take significantly longer to revise than static design, which is why I spend more time on the brief before starting than on any other service.
